Above image - URL: https://www.worldslastchance.com/images/articles/adam-eve.jpg
Above image - "Marion Marechal-Le Pen with Florian Philippot during the Front National congress in Lyon. Photograph: Reuters"
"Samuel Maréchal, who later married Yann Le Pen and raised Marion, was the former head of the Front National youth movement. “Aunt Marine” was so close to them that she reportedly played a role as a kind of surrogate parent in Marion’s early months. When, in 2013, the news weekly L’Express revealed that Maréchal-Le Pen’s biological father was a journalist-turned-diplomat and former Lebanon hostage – something Maréchal-Le Pen had always known – she sued over invasion of privacy and this week won her case.
Like her bolder aunt Marine, the timid Maréchal-Le Pen complained that she suffered greatly from taunts at school that her grandad was a “fascist”. To shield her, she was moved to a hardline Catholic convent school to be given time to toughen up and later dropped the Le Pen from her name. But she joined the party aged 17 and had proudly restored her full name when, aged 22, and still a law student, she became the youngest MP since the French revolution, on a ticket against immigration and insecurity in the south."
Marion Maréchal-Le Pen: the young face of France's far right
Even more rightwing and socially conservative than her aunt Marine, Maréchal-Le Pen’s ferocity has shocked rivals and won her legions of admirers
Angelique Chrisafis in Paris
Thursday 16 April 2015 17.08 BST
"A number of Catholic intellectuals have been priming Marion, giving her reading lists and prepping her for debates. She was the first representative of the Front national to be invited to the Church summer conference in August by the Bishop of Toulon. This observers say, is a significant breach in the “containment wall” hitherto branding the Front National as unacceptable to Christians. "
Marion Maréchal-Le Pen: the new wonder-girl of France's far-right
The niece of Marine Le Pen won her first election at the age of 22 and trounced a former prime minister, Alain Juppe, in a televised debate
By Anne-Elisabeth Moutet, Paris
3:49PM GMT 05 Dec 2015
Above image - "Martyrs' Miror Book 1, page 347:
Burning of 224 Waldensians, Toulon, 1243 (Eeghen 701) history of the vaudois of Languedoc ... la grange, jourdan, joubert, mynhar"
Notice the Geo-politic moves paving the way for the coming back of Inquisition (NOT "Counter Reformation"; has been the Counter Reformation so much waved in the anti-Vatican circles to hide the coming back of Inquisition?....)...:
Monday, December 7, 2015
ISIS & Kremlin, the best allies of Marine Le Pen
As pertain the Gnostic core of the female figures, especially as regard their intoxicant and seductive appearance (like a psychoactive substance - indeed sex and substances works on the senses), and especially the false knowledge they give, see the blog of C. Stiliyanov, of which I present a casually chosen link , he knows much better than me which post is the best fitted:
събота, 20 декември 2014 г.
A tale of two birds and the new world order
-------------------------------------------------------------The name of the "MOTHER SHIP" is VMS EVE. The catholic ship prophecies or images are nothing more but the gnostic dream that the pre-flood satanic harlot Norea, "the second Eve", survived and got aboard another kind of Noahic Ark. Whether such a character exists is irrelevant, but the satanic religion was soon revived in the realms of Nimrod. Now, the satanist gnostics want to initiate the new EVAngelization with the enthroning of their second EVE - "Mary".
The Hypostasis of the Archons..................................
"Again Eve became pregnant, and she bore Norea. And she said,
"He has begotten on me a virgin as an assistance for many generations of mankind.She is the virgin whom the forces did not defile." (SECOND EVE)"......". [quoted by C. Stiliyanov]
Above image - URL: http://i.telegraph.co.uk/multimedia/archive/03518/le-pen02_3518947b.jpg
And of course one post of September 2014:
"avlesSeptember 2, 2014 at 2:17 PM
It is implied the allusion to Europe as the "woman fleeding in the wilderness". Russia = the wilderness, the "earth" "hiding" the "woman" (EU = Western Roman Catholic Empire).... If this is the case, the Ukrainian Baptists and Protestants and every other Orthodox or Catholic entity in Eastern Europe and Russia and refusing to bow down to this Satanic Catholic reversal of the true significance of Revelation chapter 12, will be annihilated."
Tuesday, September 2, 2014
"From the face of the serpent"
"From the face of the serpent"
December 8th, 2015
Maroni: Le Pen as Joan of Arc
"Elections France just days before"
12:52 - "It is an astral coincidence that the Joan of Arc was staged at La Scala it , the day of the victory of Marine Le Pen, the new French heroine." Said the president of the Lombardy Region, Roberto Maroni. The governor attended the first of the Joan of Arc of Giuseppe Verdi's La Scala Theatre, which opened the season the Piermarini. Maroni: Le Pen as Joan of Arc
"Elections France just days before"
"....Giovanna d'Arco (Joan of Arc) is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi set to an Italian libretto by Temistocle Solera, who had prepared the libretti for both Nabucco and I Lombardi. It is Verdi's seventh opera.
The work partly reflects the story of Joan of Arc and appears to be loosely based on the play Die Jungfrau von Orleans by Friedrich von Schiller. After writing the music over the autumn and winter of 1844/45, Verdi's opera had its first performance at Teatro alla Scala in Milan on 15 February 1845.
Added a comment of Stiliyanov:
"He has begotten on me a virgin as an assistance for many generations of mankind"
Probably the best application of the verse here.
Archpriest OleK Trophimov, one of the more significant figures of russian monarchist orthodoxy recently published a post in his blog entitled
"the spiritual algorithm of history the sign of the russian annointed king"
November 23, 2015 at 2:47 pm
After all, the woman brought in sin and with a woman, sin is subverted, and that was fulfilled in the incarnation of the Son of God through the Virgin Mary. It should be noted that the prophecies of the Savior's birth in different interpreted forms existed not only among Jews but also Gentiles, they were especially common in the era of the birth of Christ.
But in the Christian era there is a direct intervention of God in human history. In anticipation of this follow-the forerunner of the prophecies of the future saviors of the people in a particular historical period, for a specific people. They were priests, kings, prophets, brave heroes and at times, oddly, - a virgin.
In France, there was a prophecy of the virgin-savior, spoken by the folk legend of Merlin alleged, "a virgin will appear with an ax in her hand and save everyone." And she played a role in the history of France. This prophecy existed long before the appearance of the Virgin of Orleans (1412-1431gg.), It has been very popular and common among the common people. After all, as evidenced by the facts of life of Joan of Arc, the aristocracy and the clergy, even if it wasn't believed in her lifetime. But if we follow the historical events in which fulfilled the prediction of the virgin-savior, we come to a repetition of historical circumstances, to a certain algorithm: the country's aristocratic feuds, the Hundred Years War; attack on France the English and the Burgundians, the corrupt clergy (namely Bishop Cauchon, defending the interests of the English king, has accused Jean of heresy and sentenced her to be burned), not having a French king, the need for spiritual and national leader for the common people, which is exhausted by war and oppression by the aristocracy. In these circumstances, the people of France, received salvation ... In 1920, the Catholic Church canonized her (note the wording) "for her obedience, which she performed to God in the mission of saving France........(.......)....".
Notice the continue allusive attack to the "perfidious" England, last refugee of Vaudoises and Bogomils, AND their Christian faith and written documents of the word of GOD (Itala Bible, Greek manuscripts, etc.), an attack present in Giuseppe Verdi's musical drama, a sort of artistic veil over a never ceased Inquisition:
MILANThe Joan of Arc of Green back on stage after 150 years: eight minutes of applauseDecember 8, 2015
http://gds.it/2015/12/08/la-giovanna-darco-di-verdi-torna-in-scena-dopo-150-anni-8-minuti-di-applausi_446458/Milano. After 150 years of oblivion, the audience at La Scala has found its 'Joan of Arc'. Eight continuous minutes of applause and cries of 'Viva Verdi' have in fact determined the full success of the work of Giuseppe Verdi, with Riccardo Chailly on the podium and directed by Moshe Leiser and Patrice Caurier, opened the season at La Scala in traditional party Sant'Ambrogio, this year marked by special security measures for terrorist threats. But the massive police presence, barricades - the rest never miss inaugural evenings in Piazza della Scala since the dispute of '68 movememnt - and metal detectors have not worried much an audience of fans, celebrities, artists and politicians ; with the President of the Council Renzi that leaving the theater has explicitly praised the show, and the ambassador of France, Christine Colonna, ministers Franceschini and Delrio, Mayor of Milan Pisapia, regional president Maroni. The quality of the show did the rest, helping you forget any threat and attracting the attention on the works of Verdi and the interpretation that they gave the artists, all applauded long and hard.
Appreciated the direction by Leiser and Courier, transposing the story of the Maid of Orleans told from the booklet Themistocles Solera in the psyche of the protagonist, a young mid-nineteenth century, living in his bedroom the conflict between bourgeois morality and religious imposed by her father and the desire to fully enjoy her sexuality.
In his mind it becomes Joan of Arc in the Hundred Years War. He falls in love with Charles VII and fights for the freedom of France, but the sense of guilt at times prevails: see the angels and then the demons. Cries "are cursed." When at the height of happiness it is the coronation of Charles in the cathedral of Reims, his father James accuses her before the people of mortal sin ("Are you pure and virgin?").She does not die at the stake by the hand of the English as by historical tradition, but, as he wants the book, he is mortally wounded in battle. Although the fire, like his hallucinations, it is present on the stage. The scene (Christian Fenouillat) is fixed and is the bedroom of the nineteenth-century hero, but continually disappearing walls, enter armies in weapons, long spears, angels, devils, red (with choreography by Leah Hausman), stands on the bottom of the grand Reims Cathedral which then sinks into the fire, while the video projections (by Etienne Guiol) show bloody battles.The Madness of Joan always told with a veil of transfiguration fable: the 'maiden' shortens the white nightgown and robe golden armor (costumes by Augustine rides), with sword and 'crest'.Likewise Charles VII appears on a golden horse, himself with armor and gold crown. It is not, however, the indomitable hero of fairy tales, but a man at the mercy of events. The important role of James, father of Joan, who accuses her, gets to deliver HER to the English and too late repents.